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After our long, leisurely break, parked by the Antelope House, we climbed back into my Jeep and drove up Canyon del Muerto, passing the intersection with Black Rock Canyon, and the sheer-sided, free-standing bluff they call the Navajo Fortress. There was only one way up to the top of that rock, a precarious climb that required the use of notched poles as ladders, so the Navajo used the easily defended position as a stronghold, where they were safe from raids by enemy tribes and Spanish troops. They didn’t fare nearly as well against Kit Carson and the 1st New Mexico Cavalry. Carson and his troops didn’t even fight the Navajo. Instead, they destroyed the Navajo farms and burned their hogans and their orchards, ultimately starving them into submission.
“That’s when the Navajo people were driven from their homes in Canyon de Chelly,” said Sylvia. “And forced to go on the Long Walk to Fort Sumner. Many Navajo people died, before they finally allowed us to come back here.”
“That was a tough time for the Navajo,” I said.
“Yes,” Sylvia agreed. “But it wasn’t the only bad time that we had. Pull over here, and I’ll show you one of my favorite pictures.”
SPANISH MURAL PANEL
“This is the Spanish Mural Panel,” said Sylvia. “This represents the second time when the Spaniards came around. They were looking for gold, but we never had gold here. They dressed up a man like a priest so that the Navajos would think, oh, they’re bringing in a priest, so they’re coming in a nicely manner. They’ve come to Christianize us, but it was the wrong way. When the Spaniards came up, they asked where all the gold was, and when they didn’t find any, they were really really angry, and they started killing a lot of the Navajo people. Those Spaniards were very very bad.”
“This is like Spaniards that were looking for gold,” said Sylvia, pointing to the left. “There’s one with a white horse right here that’s like a ghost figure on this side.”
“And this is like a tipi or something?” I asked. “No, hang on, I see it now, that’s somebody on a red horse, wearing a cape.“
“It’s interesting the way they drew the horse hooves,” said Sylvia. “It’s like a circle.”
“All of these are Navajo drawings?” I asked, remembering what she’d said earlier about horses.
“Yes,” she replied. “And these two circles that look like suns would represent that it happened for two days.”
Just as with the Ute Raid Panel, there are several different interpretations of the mural featuring the Spanish Priest. Most sources believe the pictograph represents a historical event that took place in 1805, when a group of Spanish soldiers led by Lieutenant Antonio Narbona entered Canyon de Chelly on a punitive expedition, in response to Navajo raids on Spanish settlements.
In Sylvia’s version, the Spaniards are greedy, looking for gold, and they are deceitful, traveling in a false disguise. Their intentions weren’t likely to have been peaceful, when you consider the fact that the priest in the pictograph was accompanied by a pack of war dogs. Such dogs were originally brought to the New World from Spain, and were specially trained to accompany Spanish troops into battle.
Our next stop, just a few feet down the road, was one of the most interesting of all!
STANDING COW
There it is,” said Sylvia. “That’s my birthplace. This is called Standing Cow right here.”
We parked beside the road, and Sylvia led us through a gate into an area filled with ancient brick foundations. This time, because we were with Sylvia, and because her family owned this land, we were allowed to walk right up to the ruins. (Had we been with a different guide, we would have been obliged to stop outside the fence!)
The centerpiece of this site was a highly unusual sandstone and adobe hogan with a door, a window, and a stove pipe sticking up through the roof. The sandstone wall behind the structure was an artists canvas filled with an array of pictographs, the most prominent being a large white bull, the Standing Cow for which the site was named.
“That was done by my great grandfather,” Sylvia explained. “My family lived here until I was three or four years old. We all slept on the floor in there.”
The hogan, much newer than the other structures, was built using sandstone bricks recycled from the surrounding ruins. That would never have been allowed today, but at the time, before the National Monument was established, there weren’t any rules against it, so Sylvia’s great grandfather was simply being practical, using what was available. Today, Standing Cow is on all the maps, as much a part of the human landscape of Canyon de Chelly as the White House and the Mummy Cave. We felt quite privileged to be there with someone who was so directly connected to all of it.
“We never had a door, and we never had a window on there,” said Sylvia. “They were put in there back in the ’80’s. Whenever someone was home, they would always leave this open, and then if there was nobody home, then what they did was they put a blanket over it, and put rocks right here, to signify that there was nobody home.”
After four miserable years, and immense suffering by the Navajo people, the government conceded the terrible mistake they’d made when they attempted to relocate the Navajo to eastern New Mexico. A new treaty was signed with tribal leaders that created a new, much larger reservation back in Arizona, a reservation that incorporated much of their original territory, including Canyon de Chelly. Sylvia’s family was directly caught up in those events known as the Long Walk, perhaps the darkest period in the history of the Navajo people.
“These are charcoal drawings of the Long Walk, and what happened during that time,” said Sylvia. “This was drawn by a grandfather of mine. These are all history, and you can tell it’s deteriorating, because a lot of this part is chipping off.”
“This is my grandmother’s weaving loom right here,” said Sylvia.
It wasn’t hard to imagine the scene, with smoke curling out of the stove pipe, Sylvia’s grandmother working at her loom, the labor-intensive process of creating a rug or a blanket, while a young Sylvia and her siblings played in their yard filled with ancient ruins. I would have loved to have seen it then!
“These are hand-prints of the Anasazi people,” said Sylvia. “Spiritual beings right here, along with the eclipse of the sun. And you can see the hand prints from all of us. My great grandfather, my great-grandmother.”
We spent the best part of an hour at Standing Cow, enjoying Sylvia’s stories about her childhood in this magical place, almost like another world, and most definitely from another time.
We drove for another ten minutes or so, then stopped again, very briefly, to check out a pictograph panel that was just barely visible, fifty feet or more up the side of a cliff.
The largest ruin in the canyon was still ahead of us, and the shadows were getting longer, so I picked up the pace, just a little, as we drove away.
To finish reading about Canyon del Muerto, click the button below:
Disclaimer: the narrative in this post includes dialogue attributed to my Navajo friend Sylvia Watchman, who was our guide on a two-day tour of Canyon de Chelly in October of 2013. The dialogue in the post is based on the transcript of an audio recording made two years later, when I visited Sylvia in Chinle, and we reviewed my photos from the trip. There was minor editing for grammar and continuity. I take full responsibility for any errors or omissions.
Unless otherwise noted, all of these photographs are my original work, and are protected by copyright. They may not be duplicated for commercial purposes.
Click any photo to expand the images to full-screen, with captions:
MORE ABOUT CANYON DE CHELLY:
The Most Beautiful Place on Earth:
A Guide to Canyon de Chelly National Monument
This is an interactive Table of Contents. Click the pictures to open the pages.
Canyon de Chelly: Part 1: The Rim Drives
Most of Canyon de Chelly can only be seen by visitors who are accompanied by an authorized guide, but the Rim Drives are free of charge, no reservation required. Two roads, Indian Route 7, and Indian Route 64 diverge at the entrance to Canyon de Chelly National Monument. Route 7 follows the South Rim of the multi-pronged formation, providing access to seven overlooks, all with killer views into Canyon de Chelly. Route 64 follows the North Rim, and provides access to three more overlooks, with excellent views into the branch known as Canyon del Muerto.
The South Rim drive is a 36 mile round trip, from the Welcome Center to the Spider Rock Overlook and back again, making multiple stops in between. You’ll need a couple of hours to do it justice, depending on how much time you spend at each of the different overlooks. The North Rim drive is shorter, just over 26 miles round trip to the Mummy Cave Overlook. That drive requires another hour and a half, bare minimum, so if you’re going to do both, you should play it safe, and set aside half a day. I can guarantee you’ll consider it time well spent! <<CLICK to Read More!>>
The South Rim Drive
Indian Route 7 begins at the turnoff from US 190, and serves as the main road in the Navajo town of Chinle. If you follow it headed east, it will take you directly to the Visitor Center for the Canyon de Chelly National Monument. Stop there to pick up a map of the park, and to get current information about guided tours and other activities, as well as road conditions, and any closures that might affect your visit.
From the Visitors Center, bear right at the fork to stay on Indian Route 7, the South Rim Drive, and follow the signs to the overlooks.
<<CLICK to Read More!>>
Overlooking the White House
A mile and a half beyond the Junction Overlook you’ll reach the turnoff for the White House Overlook, which is at the end of a half-mile long access road. (Note: the access road, the overlook, and the trail to the White House ruin are currently closed to visitors.) The White House Overlook has always been one of the most popular. The vantage point offers a fabulous panorama of the Canyon, along with an unobstructed view of the White House, one of the best preserved ruins in the National Monument.
<<CLICK to Read More!>>
The North Rim Drive
Most visitors to Canyon de Chelly National Monument focus the bulk of their attention on the South Rim Drive, but in my view, your trip simply won’t be complete if you don’t take in the North Rim Drive as well.
Seven miles from the Welcome Center is the turnoff to the Antelope House Overlook, which is two miles further along a paved access road. The payoff is a fabulous bird’s-eye view of a quite wonderful Anasazi ruin known as the Antelope House. You can still see the crumbling foundations of dozens of rooms, a tower, and at least four circular kivas...
<<CLICK to Read More!>>
Canyon de Chelly: Part 2: Chinle Wash
Canyon de Chelly National Monument is a place for the whole world to enjoy and admire, just like all of our national parks and monuments, but at Canyon de Chelly there is an essential difference: the rim drives and most of the overlooks offering views into the beautiful canyon are open to the public all year around. The canyon itself, including all hiking trails and Jeep tracks, all the ruins and the rock art, in essence, anything below the canyon rim, all of that is private property, off limits to everyone save the handful of Navajo families who own the land on the canyon floor.
The rest of us can go in, but only to certain areas, and only if we’re accompanied by an authorized guide. A Navajo guide can take you into the canyon in their SUV, or, if you prefer, you can join a guided hike, or a trail ride on horseback. The standard Jeep tours, which are the most popular, range from three to six hours in length. The longer tours cover the highlights of both of the primary gorges, Canyon De Chelly, and Canyon del Muerto.
The series that follows is a detailed account of my own experience in this remarkable place. <<CLICK to Read More!>>
A Timeless Journey into the Heart of the Navajo Nation
At the beginning of our trip, we asked Sylvia to show us her favorite petroglyphs, along with the usual ruins and rock formations, and she did not disappoint. Our first stop, very near the mouth of the canyon was a prehistoric bulletin board she called Newspaper Rock. A smooth segment of cliff face coated with dark desert varnish, featuring an area at least forty feet wide filled hundreds of petroglyphs. The symbols weren’t carved into the rock, and they are not painted. These artists pecked away the dark varnish, creating their pictures by exposing the lighter colored rock underneath: antelope, birds, hunters, and a multitude of intriguing symbols.
<<CLICK to Read More!>>
Ancient Stories Etched in Stone
A short distance from Newspaper Rock, just a few steps away along the base of the cliff, we came to another set of petroglyphs featuring riders on horseback. These were most certainly Navajo, and likely date back to the 1800’s. They shared this shady space with other images that were obviously much older. There were hunters, deer, birds, handprints, and more. We crowded in close for a better look.
<<CLICK to Read More!>>
Kokopelli and the Lightning Spear
“When you look at this, there’s a man holding a staff; out of the staff there’s this energy that’s coming out. The figure in black is the patient. The one in yellow is the shaman. The important men of the village are up on the side here, so this was a very sacred ceremony that they were doing. And there are some other drawings on the side; this one here is like a figure of the holy people, because it’s way up there, and it only has the head, and not the arms or the legs. You see a lot of people drawn, and there’s a bird there. And these are drawings of, like, clan systems. The bear, the turtle, and the antelope down here.”
I was probably getting a bit starry-eyed at that point. Barely three miles into the canyon, we’d traveled a thousand years in just under a hundred minutes, and we were barely even underway!
<<CLICK to Read More!>>
Where Canyons Collide
Just around the bend the canyon opened up into an area wider than any other we’d seen, and right in the middle was a monolithic block of sandstone known as Dog Rock. To the left was the north fork of the canyon, Canyon del Muerto, and to the right, the south fork, Canyon de Chelly itself. The cliffs soared at least 200 feet above our heads, and halfway up the sheer face opposite was another alcove filled with crumbling adobe, a site called Junction Ruin. A bit smaller than First Ruin, and a bit less well preserved, this is an Anasazi structure dating to the same approximate era. The ruin is clearly visible from above at the Junction Overlook on the South Rim Drive; it looks a bit different when viewed from below...
<<CLICK to Read More!>>
Canyon de Chelly: Part 3: Canyon del Muerto
The left hand fork is the spectacular work of nature known as Canyon del Muerto. The star attraction of this route is the Mummy Cave Ruin, the largest in the area, built on a ledge between a pair of deep caves, high on the face of a cliff in an extraordinary natural amphitheater. It’s a 24 mile round-trip from the Junction, twelve miles of rough road in each direction, with enough twists and turns to qualify as a carnival ride–along with plenty of mud! Along the way you pass the Ledge Ruin, Antelope House Ruin, Navajo Fortress, and Standing Cow Ruin, along with some extraordinary rock art.
The most popular tours last between 3 and 4 hours. Most of them travel into both canyons, but don’t go all the way to the end of either road. Only the longer tours include Spider Rock or Mummy Cave, and only the all day tours include both. Private tours offer the most flexibility, and in most cases, a more comfortable ride.
<<CLICK to Read More!>>
Ruins and Rock Art
In this pictographic sequence, the Utes are on the left, mounted on horseback, with shields and lances, while the Navajos are on the right, on foot, and clearly outnumbered. In one version of the story, just as in Sylvia’s account, the attack took place during a Night Way healing ceremony, in the winter, catching the Navajo by surprise, and at a deadly disadvantage.
The drawings are charcoal, except for the shields, which were painted with pigment made from the bee weed plant. The sandstone overhang provides some protection, but after 150 years or more, the panel is weathering, starting to fade and flake away. Many of the rock art panels in these canyons are in danger of irreversible deterioration from exposure to the elements. Pictographs such as these, done with charcoal and other natural pigments, are particularly vulnerable to the ravages of time.
<<CLICK to Read More!>>
Antelope House
Antelope House was formally excavated in the early 1970’s, by archaeologists working with the National Park Service. Each new culture that occupied this site built atop the remains of their predecessors, so as researchers dug into the stratified foundations, they found the pit houses of the Basket Makers at the bottom, and layers of increasingly sophisticated cultural remains, from the Ancestral Pueblo to the Pueblo people, the Hopi, and the Navajo, each of these groups contributing to the timeline of an area that is exceptionally rich in history.
Of all the ruins and other archaeological sites in Canyon de Chelly, Antelope House is the most thoroughly investigated. That’s at least partially due to simple ease of access: unlike most of the ruins in the canyon, all the primary structures at this site are at ground level.
<<CLICK to Read More!>>
Standing Cow: A Home Among the Ruins
The hogan, much newer than the other structures, was built using sandstone bricks recycled from the surrounding ruins. That would never have been allowed today, but at the time, before the National Monument was established, there weren’t any rules against it, so Sylvia’s great grandfather was simply being practical, using what was available. Today, Standing Cow is on all the maps, as much a part of the human landscape of Canyon de Chelly as the White House and the Mummy Cave. We felt quite privileged to be there with someone who was so directly connected to all of it.
<<CLICK to Read More!>>
Blue Bull and Mummy Cave
300 feet above the canyon floor, there are two deep alcoves filled with ruins, and on a wide ledge between them, a large, multi-story pueblo, partially reconstructed, and quite impressive. The setting is a natural amphitheater, and the overall aspect of the place is simply stunning.
Occupied for a thousand years, from around 300 A.D. until 1300 A.D. The whole complex, including the main building and the structures in the two flanking alcoves had as many as 70 rooms, including living quarters, ceremonial spaces, and storage.
<<CLICK to Read More!>>
Canyon de Chelly: Part 4: The Road to Spider Rock
Today, only authorized Navajo owned vehicles are allowed inside Canyon de Chelly, but this was in 2013, when it was still possible to drive yourself in your own 4×4, as long as your Navajo guide rode along with you. That arrangement was Sylvia’s specialty, and driving through that canyon, with her ongoing expert narrative providing background on all the points of interest, was some of the best fun I’ve ever had.
The first part of the route was aleady familiar to me. We entered Chinle Wash from that same dirt road, just past the Visitor’s Center, and I took off down the sandy creek bed, keeping up a steady speed and zig-zagging diagonally across the deepest ruts, to avoid getting trapped.
We passed by all the places where we’d stopped the day before, and made it all the way to the junction in just over half an hour. This time, we took the right hand fork, and we hadn’t gone far when we ran into our first big challenge of the day: a steep downslope that crossed a wash, with deep mud at the bottom of the hill.
<<CLICK to Read More!>>
Riding the Rainbow to the Universe
Viewing Spider Rock from below provides a dramatically different perspective on this extraordinary formation. From above, you’re looking down on the whole tableau, and Spider Rock, shorter than the soaring canyon walls, appears as one small part of the larger scene. From below, from the floor of the canyon looking up at it, you can see just how BIG the danged thing is. At 800 feet in height, it’s a good bit taller than your average 50 story sky scraper, and it completely dominates the landscape.
<<CLICK to Read More!>>
The Oldest White House
At the center of the upper section is a large room, 12 by 20 feet, with a front wall that is 12 feet high and made of stone that is two feet thick. This wall was coated in white plaster, decorated with a yellow band, and it is this white wall, which can still be seen, that inspired the name La Casa Blanca, the White House, to this ancient dwelling that has endured in this place for nearly a thousand years.
<<CLICK to Read More!>>
YOU MIGHT ALSO ENJOY:
San Xavier del Bac: The White Dove of the Desert
San Xavier has all of the traditional elements of a Spanish Colonial church, along with many others that are quite unique. The craftsmanship of the original building is superb, and features many fascinating details.
<<CLICK to Read More!>>
A Serendipitous Sunset at Shiprock
I noticed an odd rock formation coming up fast on the left side of the road, almost like a wall built of angular blocks. Shiprock was close, but hidden from view by the wall as I zoomed toward it. After I passed the odd formation, I stole a quick glance in my rearview mirror, and what I saw was a scene so other-wordly, it literally stopped me in my tracks!
<<CLICK to Read More!>>
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Are you a veteran road tripper who loves grand vistas, or someone who's never done it, but would love to give it a try? Either way, you should consider making the Southwestern U.S. the scene of your own next adventure.
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