Canyon de Chelly: Riding the Rainbow to the Universe: The Legend of Spider Woman
Spider Rock from below, with my black Jeep at lower left for scale.
This is the second page of a longer article about the Road to Spider Rock. If you’d like to begin at the beginning, click the button to return to Page 1:
When you see Spider Rock from above, you’re looking down on the canyon, and the sandstone pillars, shorter than the soaring canyon walls, appear as one small part of the larger scene. From below, from the floor of the canyon looking up at it, you can see just how BIG the danged thing is. At 800 feet in height, it’s a good bit taller than your average 50 story sky scraper, and it completely dominates the landscape.
To the geologist, the twin pillars of Spider Rock are the last remnants of a geological process that has been ongoing for countless millenia. As the canyon was formed, carved ever deeper by the relentless forces of water and wind, the harder rock at the core of the formation, which was once a part of the canyon wall, stood firm while everything around it weathered away.
To the visitors who come to see Canyon de Chelly, that classic view of Spider Rock from the overlook on the rim is often the highlight of their trip, an iconic sight unlike anything anywhere else. It’s the perfect backdrop for that all important selfie, a picture to post on social media proving to the world that you’ve “been there, done that!”
To the Navajo, Spider Rock is a sacred place. It’s the home of the Spider Woman, the deity who taught the people the art of weaving, along with the Beauty Way, a way of living in harmony with the world that creates balance in mind, body, and soul.
Speaking Rock, on the left, and the twin pillars of Spider Rock on the right form the loom used by Spider Woman to teach the art of weaving to the Navajo
THE LEGEND OF SPIDER WOMAN
“There’s spider rock,” I said when we arrived. “Spider Woman lived at the top?”
“No,” Sylvia replied. “Spider Woman lived on this side, right behind here, where that wall is, they say that’s where she used to live. This is her loom; Speaking Rock was one side, and Spider Rock was the other side of her loom; right in between the two was where she did her weaving.
The story of it is, there were twins who were born, and the twins wanted to know who their father was; so they were sent to Spider Woman, because Spider Woman was the one who knew their father. She saw them coming while she was weaving on her loom, but they couldn’t see her, not with their naked eyes. They bent down to drink some water, and in the reflection of the water they did see her, and they told her, “We can see you!” She asked them who they were, and they told her. She took them into her home and she fed them, and she told them the old stories.
She said, “When the rain comes, and there is that really bright rainbow, that thick bright rainbow that you see, you’re going to have to run at it, and jump on it as quick as you can, and that will take you to the universe.” Spider Woman made them some armor, so that the heat wouldn’t get to them, and their eyes wouldn’t be destroyed. And so the twins rode the rainbow up into the sun, and when they got there, they used their armor, and when their father, the sun, came out, they introduced themselves. Their father said, “I don’t know who you are!” That’s when they told him who their mother was. For us Navajos, that’s what we do. When we meet another Navajo, we always say our clans, and introduce ourselves with who our grandparents were, and who our parents are. So the boys did that, and he said, “Okay! I guess I really am your father.”
So then he asked them why they were there, and they said it was because he was the only one who knew how to destroy the giants who were killing a lot of their people. So their father started teaching them; but their father the sun was remarried to another lady, and that lady became very jealous, because she was being neglected; her husband was giving too much attention to his sons. In the meantime, she was trying to get some other enemies to hurt or kill the boys. Somehow, her husband, the sun found out. He said, “I think it’s time for you boys to go back. Here’s all the weapons that you need, and I’ve already trained you how to use them.” And so they came back down the way they went up.
When we were growing up, Spider Rock was something they used when they would discipline us. My grandfather was a medicine man, and he used to always tell us to be careful and behave ourselves, so that Spider Woman wouldn’t come after us. Back then there used to be eagles that had nests on Spider Rock itself. You could hear the eaglets cry; in February, you could hear them when you’re up on the rim. Because of all the bird poop that used to be on there, they used to say that the white color was the bones of children that had misbehaved. They used to scare us that way. Certain times of year you can still see the whiteness.”
A slide show with several views of Spider Rock and the surrounding area, as seen from the floor of the canyon. The picture with the brown Jeep Wagoneer, and the photo with the horses were both taken on my first trip to Canyon de Chelly in 1989. All the rest were taken in 2013. Click any photo to expand the images to full screen.
PICTOGRAPHS
When Sylvia guided us through Canyon del Muerto the previous day, rock art was the primary theme of our tour. Every bend in the road revealed a new panel of petroglyphs (images carved or pecked into the rock), or pictographs, (images painted on the rock face using natural pigments). Sylvia knew the location of all the best panels, and she had stories to go along with every one of them. All in all, we got quite an education!
While exploring the area around Spider Rock, she showed us a particularly nice set of pictographs that included birds, people, handprints, and a corn stalk. Based on the style, they are Anasazi, Ancestral Puebloan, so they date back at least 700 years. There’s a power associated with these ancient drawings; people from the distant past left them here for us to see; if only we could decipher their meaning.
We spent an hour exploring the area around Spider Rock, enjoying the views, enjoying the day, and listening with rapt attention to Sylvia’s stories, about the history of the area, about Navajo traditions, and about her own childhood as a young girl growing up in this remarkable place.
Touring Canyon de Chelly with a Navajo guide is an extraordinary experience, unlike anything else you’ll ever do in any other National Park or Monument. We were fortunate, going when we did, in October of 2013. It was the perfect time of year, nice and cool, with the added bonus of autumn foliage. The cottonwoods were turning from green to gold, all along our route through the canyon, in beautiful contrast to the red sandstone cliffs.
When we left, I drove away slowly, actually quite sad to be leaving, because I knew our time here was coming to an end. We spent the next hour retracing our steps, back the way we came, through that beautiful sandstone canyon, with one last stop to make.
Disclaimer: the narrative in this post includes dialogue attributed to my Navajo friend Sylvia Watchman, who was our guide on a two-day tour of Canyon de Chelly in October of 2013. The dialogue in the post is based on the transcript of an audio recording made two years later, when I visited Sylvia in Chinle, and we reviewed my photos from the trip. There was minor editing for grammar and continuity. I take full responsibility for any errors or omissions.
Unless otherwise noted, all of these photographs are my original work, and are protected by copyright. They may not be duplicated for commercial purposes.
Click any photo to expand the images to full-screen, with captions:
MORE ABOUT CANYON DE CHELLY:
The Most Beautiful Place on Earth:
A Guide to Canyon de Chelly National Monument
This is an interactive Table of Contents. Click the pictures to open the pages.
Canyon de Chelly: Part 1: The Rim Drives
Most of Canyon de Chelly can only be seen by visitors who are accompanied by an authorized guide, but the Rim Drives are free of charge, no reservation required. Two roads, Indian Route 7, and Indian Route 64 diverge at the entrance to Canyon de Chelly National Monument. Route 7 follows the South Rim of the multi-pronged formation, providing access to seven overlooks, all with killer views into Canyon de Chelly. Route 64 follows the North Rim, and provides access to three more overlooks, with excellent views into the branch known as Canyon del Muerto.
The South Rim drive is a 36 mile round trip, from the Welcome Center to the Spider Rock Overlook and back again, making multiple stops in between. You’ll need a couple of hours to do it justice, depending on how much time you spend at each of the different overlooks. The North Rim drive is shorter, just over 26 miles round trip to the Mummy Cave Overlook. That drive requires another hour and a half, bare minimum, so if you’re going to do both, you should play it safe, and set aside half a day. I can guarantee you’ll consider it time well spent! <<CLICK to Read More!>>
The South Rim Drive
Indian Route 7 begins at the turnoff from US 190, and serves as the main road in the Navajo town of Chinle. If you follow it headed east, it will take you directly to the Visitor Center for the Canyon de Chelly National Monument. Stop there to pick up a map of the park, and to get current information about guided tours and other activities, as well as road conditions, and any closures that might affect your visit.
From the Visitors Center, bear right at the fork to stay on Indian Route 7, the South Rim Drive, and follow the signs to the overlooks.
<<CLICK to Read More!>>
Overlooking the White House
A mile and a half beyond the Junction Overlook you’ll reach the turnoff for the White House Overlook, which is at the end of a half-mile long access road. (Note: the access road, the overlook, and the trail to the White House ruin are currently closed to visitors.) The White House Overlook has always been one of the most popular. The vantage point offers a fabulous panorama of the Canyon, along with an unobstructed view of the White House, one of the best preserved ruins in the National Monument.
<<CLICK to Read More!>>
The North Rim Drive
Most visitors to Canyon de Chelly National Monument focus the bulk of their attention on the South Rim Drive, but in my view, your trip simply won’t be complete if you don’t take in the North Rim Drive as well.
Seven miles from the Welcome Center is the turnoff to the Antelope House Overlook, which is two miles further along a paved access road. The payoff is a fabulous bird’s-eye view of a quite wonderful Anasazi ruin known as the Antelope House. You can still see the crumbling foundations of dozens of rooms, a tower, and at least four circular kivas...
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Canyon de Chelly: Part 2: Chinle Wash
Canyon de Chelly National Monument is a place for the whole world to enjoy and admire, just like all of our national parks and monuments, but at Canyon de Chelly there is an essential difference: the rim drives and most of the overlooks offering views into the beautiful canyon are open to the public all year around. The canyon itself, including all hiking trails and Jeep tracks, all the ruins and the rock art, in essence, anything below the canyon rim, all of that is private property, off limits to everyone save the handful of Navajo families who own the land on the canyon floor.
The rest of us can go in, but only to certain areas, and only if we’re accompanied by an authorized guide. A Navajo guide can take you into the canyon in their SUV, or, if you prefer, you can join a guided hike, or a trail ride on horseback. The standard Jeep tours, which are the most popular, range from three to six hours in length. The longer tours cover the highlights of both of the primary gorges, Canyon De Chelly, and Canyon del Muerto.
The series that follows is a detailed account of my own experience in this remarkable place. <<CLICK to Read More!>>
A Timeless Journey into the Heart of the Navajo Nation
At the beginning of our trip, we asked Sylvia to show us her favorite petroglyphs, along with the usual ruins and rock formations, and she did not disappoint. Our first stop, very near the mouth of the canyon was a prehistoric bulletin board she called Newspaper Rock. A smooth segment of cliff face coated with dark desert varnish, featuring an area at least forty feet wide filled hundreds of petroglyphs. The symbols weren’t carved into the rock, and they are not painted. These artists pecked away the dark varnish, creating their pictures by exposing the lighter colored rock underneath: antelope, birds, hunters, and a multitude of intriguing symbols.
<<CLICK to Read More!>>
Ancient Stories Etched in Stone
A short distance from Newspaper Rock, just a few steps away along the base of the cliff, we came to another set of petroglyphs featuring riders on horseback. These were most certainly Navajo, and likely date back to the 1800’s. They shared this shady space with other images that were obviously much older. There were hunters, deer, birds, handprints, and more. We crowded in close for a better look.
<<CLICK to Read More!>>
Kokopelli and the Lightning Spear
“When you look at this, there’s a man holding a staff; out of the staff there’s this energy that’s coming out. The figure in black is the patient. The one in yellow is the shaman. The important men of the village are up on the side here, so this was a very sacred ceremony that they were doing. And there are some other drawings on the side; this one here is like a figure of the holy people, because it’s way up there, and it only has the head, and not the arms or the legs. You see a lot of people drawn, and there’s a bird there. And these are drawings of, like, clan systems. The bear, the turtle, and the antelope down here.”
I was probably getting a bit starry-eyed at that point. Barely three miles into the canyon, we’d traveled a thousand years in just under a hundred minutes, and we were barely even underway!
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Where Canyons Collide
Just around the bend the canyon opened up into an area wider than any other we’d seen, and right in the middle was a monolithic block of sandstone known as Dog Rock. To the left was the north fork of the canyon, Canyon del Muerto, and to the right, the south fork, Canyon de Chelly itself. The cliffs soared at least 200 feet above our heads, and halfway up the sheer face opposite was another alcove filled with crumbling adobe, a site called Junction Ruin. A bit smaller than First Ruin, and a bit less well preserved, this is an Anasazi structure dating to the same approximate era. The ruin is clearly visible from above at the Junction Overlook on the South Rim Drive; it looks a bit different when viewed from below...
<<CLICK to Read More!>>
Canyon de Chelly: Part 3: Canyon del Muerto
The left hand fork is the spectacular work of nature known as Canyon del Muerto. The star attraction of this route is the Mummy Cave Ruin, the largest in the area, built on a ledge between a pair of deep caves, high on the face of a cliff in an extraordinary natural amphitheater. It’s a 24 mile round-trip from the Junction, twelve miles of rough road in each direction, with enough twists and turns to qualify as a carnival ride–along with plenty of mud! Along the way you pass the Ledge Ruin, Antelope House Ruin, Navajo Fortress, and Standing Cow Ruin, along with some extraordinary rock art.
The most popular tours last between 3 and 4 hours. Most of them travel into both canyons, but don’t go all the way to the end of either road. Only the longer tours include Spider Rock or Mummy Cave, and only the all day tours include both. Private tours offer the most flexibility, and in most cases, a more comfortable ride.
<<CLICK to Read More!>>
Ruins and Rock Art
In this pictographic sequence, the Utes are on the left, mounted on horseback, with shields and lances, while the Navajos are on the right, on foot, and clearly outnumbered. In one version of the story, just as in Sylvia’s account, the attack took place during a Night Way healing ceremony, in the winter, catching the Navajo by surprise, and at a deadly disadvantage.
The drawings are charcoal, except for the shields, which were painted with pigment made from the bee weed plant. The sandstone overhang provides some protection, but after 150 years or more, the panel is weathering, starting to fade and flake away. Many of the rock art panels in these canyons are in danger of irreversible deterioration from exposure to the elements. Pictographs such as these, done with charcoal and other natural pigments, are particularly vulnerable to the ravages of time.
<<CLICK to Read More!>>
Antelope House
Antelope House was formally excavated in the early 1970’s, by archaeologists working with the National Park Service. Each new culture that occupied this site built atop the remains of their predecessors, so as researchers dug into the stratified foundations, they found the pit houses of the Basket Makers at the bottom, and layers of increasingly sophisticated cultural remains, from the Ancestral Pueblo to the Pueblo people, the Hopi, and the Navajo, each of these groups contributing to the timeline of an area that is exceptionally rich in history.
Of all the ruins and other archaeological sites in Canyon de Chelly, Antelope House is the most thoroughly investigated. That’s at least partially due to simple ease of access: unlike most of the ruins in the canyon, all the primary structures at this site are at ground level.
<<CLICK to Read More!>>
Standing Cow: A Home Among the Ruins
The hogan, much newer than the other structures, was built using sandstone bricks recycled from the surrounding ruins. That would never have been allowed today, but at the time, before the National Monument was established, there weren’t any rules against it, so Sylvia’s great grandfather was simply being practical, using what was available. Today, Standing Cow is on all the maps, as much a part of the human landscape of Canyon de Chelly as the White House and the Mummy Cave. We felt quite privileged to be there with someone who was so directly connected to all of it.
<<CLICK to Read More!>>
Blue Bull and Mummy Cave
300 feet above the canyon floor, there are two deep alcoves filled with ruins, and on a wide ledge between them, a large, multi-story pueblo, partially reconstructed, and quite impressive. The setting is a natural amphitheater, and the overall aspect of the place is simply stunning.
Occupied for a thousand years, from around 300 A.D. until 1300 A.D. The whole complex, including the main building and the structures in the two flanking alcoves had as many as 70 rooms, including living quarters, ceremonial spaces, and storage.
<<CLICK to Read More!>>
Canyon de Chelly: Part 4: The Road to Spider Rock
Today, only authorized Navajo owned vehicles are allowed inside Canyon de Chelly, but this was in 2013, when it was still possible to drive yourself in your own 4×4, as long as your Navajo guide rode along with you. That arrangement was Sylvia’s specialty, and driving through that canyon, with her ongoing expert narrative providing background on all the points of interest, was some of the best fun I’ve ever had.
The first part of the route was aleady familiar to me. We entered Chinle Wash from that same dirt road, just past the Visitor’s Center, and I took off down the sandy creek bed, keeping up a steady speed and zig-zagging diagonally across the deepest ruts, to avoid getting trapped.
We passed by all the places where we’d stopped the day before, and made it all the way to the junction in just over half an hour. This time, we took the right hand fork, and we hadn’t gone far when we ran into our first big challenge of the day: a steep downslope that crossed a wash, with deep mud at the bottom of the hill.
<<CLICK to Read More!>>
Riding the Rainbow to the Universe
Viewing Spider Rock from below provides a dramatically different perspective on this extraordinary formation. From above, you’re looking down on the whole tableau, and Spider Rock, shorter than the soaring canyon walls, appears as one small part of the larger scene. From below, from the floor of the canyon looking up at it, you can see just how BIG the danged thing is. At 800 feet in height, it’s a good bit taller than your average 50 story sky scraper, and it completely dominates the landscape.
<<CLICK to Read More!>>
The Oldest White House
At the center of the upper section is a large room, 12 by 20 feet, with a front wall that is 12 feet high and made of stone that is two feet thick. This wall was coated in white plaster, decorated with a yellow band, and it is this white wall, which can still be seen, that inspired the name La Casa Blanca, the White House, to this ancient dwelling that has endured in this place for nearly a thousand years.
<<CLICK to Read More!>>
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San Xavier del Bac: The White Dove of the Desert
San Xavier has all of the traditional elements of a Spanish Colonial church, along with many others that are quite unique. The craftsmanship of the original building is superb, and features many fascinating details.
<<CLICK to Read More!>>
A Serendipitous Sunset at Shiprock
I noticed an odd rock formation coming up fast on the left side of the road, almost like a wall built of angular blocks. Shiprock was close, but hidden from view by the wall as I zoomed toward it. After I passed the odd formation, I stole a quick glance in my rearview mirror, and what I saw was a scene so other-wordly, it literally stopped me in my tracks!
<<CLICK to Read More!>>
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